![]() While I’m not particularly adverse to the use of common tropes to pad some aspects of a story, the fact is that THE WHOLE BLOODY THING is basically so cliché ridden I’m not entirely certain they came up with a plot, just inserted a general idea into a series of tropes, and not in a satirical or self-mocking way, it seemed quite serious. You’ve got your Zombie Apocalypse with your Five Man Band, or Five Woman Band in this case, with Sayuri as The Leader, Enami as The Lancer, Rei as The Big Guy, The Chick is Risa, and The Smart Guy (as close as it gets) is Mayaya. ![]() No, really, it hits about every cliché I can think of off the top of my head for a plethora of related genres that aren’t mutually exclusive. So, let’s start with the story, if anyone is even here for that, because there are a few things that need to be said about it. Oddly enough, the game isn’t really “bad” per se, more of a weird genre limbo type deal. It has all the bases to be: a fan service game, story driven, an action game, or a comedic parody, yet I found it to never really settle on any of the options it had going for it. While I have no doubt the developers set out to do…something, it feels as if they stuck their hands in too many pies, while not really committing to any of them. I suppose I should start off by mentioning that it’s like some weird cross between Resident Evil and Onechanbara, as weird as that may sound. Hoo boy, where to begin with School Girl/Zombie Hunter.
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